Writing Hint # 2
Write what you know. Every writer has heard the saying. But what does it really mean? Obviously if you’re writing non-fiction it needs to be taken literally. But what about fiction writers?
Bronwen’s Dowry was about a journeyman shearer and his seamstress wife travelling the land, scratching a living while he dreamt of winning a music contest. Now I don’t pretend be be musical or any good at sewing and, at the time I wrote the story, I had had little hands-on experience with sheep. So what did I know that made me feel that this was my story to write?
Well, firstly, Bronwen’s Dowry is, on one level, a retelling of the Parable of the Talents. Bronwen has a gift, a talent, that she uses to the best of her ability and it yields many-fold. I am a theologian and, furthermore, that parable – encouraging everyone to realise their full potential – is my favourite. Secondly, I did actually know a little about shearing, just enough to make the story believable: for instance, I knew that, unlike many outdoor workers, shearers have very soft hands, because of the lanolin in sheep wool. A simple fact like that can make the difference between bringing readers along with you, or losing them.
Of course, Bronwen’s Dowry was a short story (albeit a long, short story). So when I wrote Silvana, which has far more detail, I needed a lot more knowledge to draw from. Fabiom is an archer, a poet, a magistrate and the somewhat reluctant owner of a silk mill. His best friend is a physician who uses a wide range of herbs. The story is set in the woods and the trees and other life there play a huge part in the story. I am not an expert in most of these subjects either. Yet I do know some things. Fabiom is an archer and not a swordsman because I know nothing about swords – how they are made, how they are used – but I do know how to shoot an arrow from a longbow and I know how a wooden bow is constructed. And so on. The details in the book are things I have a keen interest in and some, even if limited, experience of.
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